Author Topic: Art critic takes on role of raconteur and knowledgeable guide to Rome  (Read 5152 times)

Joe Carillo

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Whether you have already visited Rome or plan to visit it sometime soon, a book that can give you a much better and deeper appreciation of the place is Robert Hughes’s Rome (Alfred A. Knopf, 498 pages), a loving, trenchant, eminently entertaining but often savage critique of the Eternal City as a cultural marvel and popular tourist destination.


Hughes takes on the role of an erudite raconteur and guide to the art, cultural, spiritual, and architectural attractions of the age-old city, drawing largely from his long personal acquaintance with it. An expatriate Australian, he had lived for a time in Italy in the 1960s before making London his home base as a writer and TV documentary filmmaker (he later moved to New York in 1970 to work as art critic for Time magazine.)

Says the Literary Review about Hughes’s Rome: “We enjoy reading Hughes precisely because he avoids that corseted coyness which characterises too much art history writing nowadays. Thankfully not having to worry about securing professional tenure at a university or gaining a coveted gallery curatorship, he can speak with the candour of a visceral enthusiasm, savaging mediocrity and rhapsodically defending excellence.”

Read an excerpt from Robert Hughes’s Rome in RandomHouse.com now!

Read Francine Prose’s “Robert Hughes Tours Rome” in The New York Times now!

Read Ingrid D. Rowland’s “The Crass, Beautiful Eternal City” in the New York Review of Books now!

Read Mary Beard’s review of Robert Hughes’s Rome in the Guardian of UK now!

ABOUT THE AUTHOR:
Robert Hughes is an Australian-born art critic, writer, and television documentary maker who has made New York his professional and home base since 1970. He left Australia for Europe in 1964, living for a time in Italy before settling in London, England in 1965 to write for The Spectator, The Daily Telegraph, The Times, and The Observer. He moved to New York in 1970 where he took the position of art critic for Time magazine.

ANOTHER INTERESTING READING:
In “The Pump You Draw the Water From,” writer and journal editor Sven Birkerts writes about his personal encounters with writer’s block: “Though I don’t think of myself, touch wood, as a blocked writer, I will admit that the spells of sputter and balk — of hesitate, delete, and pause — have increased over the last decade, and the anxiety that is their shadow has grown accordingly. This is painful, as the vocation has over the years become ever more identified with the inner life.”

Read Sven Birkerts’s “The Pump You Draw the Water From” in the LA Review of Books now!

« Last Edit: December 20, 2011, 01:21:44 PM by Joe Carillo »

wichitaannie123

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Re: Art critic takes on role of raconteur and knowledgeable guide to Rome
« Reply #1 on: September 25, 2012, 03:06:11 PM »
Rome - as a city, as an empire, as an enduring idea - is in many ways the origin of everything Robert Hughes has spent his life thinking and writing about with such dazzling irreverence and exacting rigour. In this magisterial book he traces the city's history from its mythic foundation with Romulus and Remus to Fascism, Fellini and beyond. For almost a thousand years, Rome held sway as the spiritual and artistic centre of the world. Hughes vividly recreates the ancient Rome of Julius Caesar, Marcus Aurelius, Nero, Caligula, Cicero, Martial and Virgil. With the artistic blossoming of the Renaissance, he casts his unwavering critical eye over the great works of Raphael, Michelangelo and Brunelleschi, shedding new light on the Old Masters. In the seventeenth, eighteenth and nineteenth centuries, when Rome's cultural predominance was assured, artists and tourists from all over Europe converged on the city. Hughes brilliantly analyses the defining works of Caravaggio, Velasquez, Rubens and Bernini. Hughes' Rome is a vibrant, contradictory, spectacular and secretive place; a monument both to human glory and human error. This deeply personal account reflects his own complex relationship with a city he first visited as a wide-eyed twenty-year-old, thirsting for the sights, sounds, smells and tastes he had only read about or seen in postcard reproductions. In equal parts loving, iconoclastic, enraged and wise, peopled with colourful figures and rich in unexpected details, ROME is an exhilarating journey through the story of one of the world's most timelessly fascinating cities.